By Miriam Usiskin and Bobby Lloyd, January 2020 “The border creates particular conditions of (in-)visibility, (in-)audibility and (dis-)appearance and in order to intervene in that context, one needs to position carefully in relation to that. Art galleries and cultural spaces more broadly offer us a chance to reflect on those aspects” Forensic Oceonography[i] Four … Continue reading MAKING (IN-) VISIBLE- ART REFUGE IN CALAIS, NORTHERN FRANCE
